Wilf Lunn Obituary, Death Cause – In the realm of English eccentrics, where imagination knows no bounds, Wilf Lunn carved out a niche as a scriptwriter, prop designer, inventor, and all-around entertainer. With his oversized round glasses, flamboyant ginger handlebar mustache, and penchant for straw boaters, Lunn was a madcap figure who delighted in the absurdities of life. His legacy, marked by square eggs, spectacles for chickens, and a worm-catching tricycle, is a testament to his riotous imagination and irrepressible creativity.
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Born with the flat vowels of his native Yorkshire, Wilf Lunn was a fixture of the 1960s and 1970s, making regular appearances alongside Tony Hart on “Vision On,” a children’s show designed for hearing-impaired audiences. In a spectacle that blended humor, invention, and a touch of surrealism, Lunn showcased an array of whimsical, often bicycle-related contraptions that captured the hearts of young viewers.
Among his imaginative creations was a humane pigeon-catcher, a contraption that featured a large cup where a cyclist could lure unsuspecting pigeons. Adding a touch of whimsy, the contraption included a guano-guard umbrella, providing protection against the anticipated retaliatory bombing by the pigeons’ friends. Lunn’s inventions were not merely practical; they were infused with a playful spirit that resonated with the young and the young at heart.
However, not all of Lunn’s inventions were marked by benevolence. Enter the duck-catcher, a more ruthless contraption designed to lure ducks with a rubber maggot. As the cyclist made the maggot wriggle enticingly, two spiked discs would slam together, crushing the unsuspecting bird. Lunn’s creations straddled the line between imagination and dark humor, showcasing the breadth of his inventive mind.
One of his more audacious—and somewhat sadistic—ideas was the “choirboy tuner.” Equipped with a pair of tongs, this contraption, mounted on a bicycle, was designed to grip a choirboy by the testicles. By manipulating a lever, the bicyclist could vary the pressure, ostensibly tuning the boy’s voice. Lunn, in an interview with The Guardian in 1977, explained the mechanics of this bizarre invention, adding a cautionary note: “If you go too far, you caponise him.” The sheer absurdity of such an invention highlights Lunn’s willingness to push the boundaries of imagination, even into the realm of the outrageous.